Good-bye to All That: An Autobiography

Paperback / softback

Main Details

Title Good-bye to All That: An Autobiography
Authors and Contributors      By (author) Robert Graves
Introduction by Andrew Motion
Edited by Fran Brearton
Edited by Fran Brearton
Introduction by Andrew Motion
SeriesPenguin Modern Classics
Physical Properties
Format:Paperback / softback
Pages:496
Dimensions(mm): Height 181,Width 111
Category/GenreClassic fiction (pre c 1945)
ISBN/Barcode 9780141392660
ClassificationsDewey:821.912
Audience
General

Publishing Details

Publisher Penguin Books Ltd
Imprint Penguin Classics
Publication Date 1 May 2014
Publication Country United Kingdom

Description

The powerful original version of Graves's seminal autobiographical account of the First World War This is the original version of Robert Graves's intense memoir of the First World War, restoring this raw, emotionally truthful, darkly comic work to the way it was first written - by a young man still reeling from the trenches.

Author Biography

Robert Graves (Author) Robert Graves was born in 1895 in Wimbledon. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers and was seriously wounded at the Battle of the Somme. He wrote his autobiography, Goodbye to All That, in 1929, and it was soon established as a modern classic. He died on 7 December 1985 in Majorca, his home since 1929. Fran Brearton (External Editor) Fran Brearton is Professor of Modern Poetry at Queen's University Belfast and author of The Great War in Irish Poetry. Andrew Motion (Introducer) Andrew Motion's most recent collection of poetry is The Cinder Path. He was poet laureate from 1999 to 2009 and is now Professor of Creative Writing at Royal Holloway, University of London.

Reviews

A remarkable book ... Essential reading for the centenary of the first world war * Guardian * One of the most candid self-portraits of a poet, warts and all, ever painted * The Times Literary Supplement * We see the dark heart of the book even more clearly, and hear it beating even more loudly, in this original edition than we do in the comparatively careful and considered terms of the later one -- Andrew Motion