The Face of Another

Paperback / softback

Main Details

Title The Face of Another
Authors and Contributors      By (author) Kobo Abe
Introduction by Kaori Nagai
Translated by E. Dale Saunders
SeriesPenguin Modern Classics
Physical Properties
Format:Paperback / softback
Pages:256
Dimensions(mm): Height 198,Width 129
Category/GenreModern and contemporary fiction (post c 1945)
ISBN/Barcode 9780141188539
ClassificationsDewey:895.635
Audience
General

Publishing Details

Publisher Penguin Books Ltd
Imprint Penguin Classics
Publication Date 28 September 2006
Publication Country United Kingdom

Description

The narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise- it is an alternate self - a self that is capable of anything. A remorseless meditation on nature, identity, and the social contract, The Face Of Another is an intellectual horror story of the highest order.

Author Biography

Kobo Abe was born in Tokyo in 1924, grew up in Manchuria, and returned to Japan in his early twenties. Before his death in 1993, Abe was considered his country's foremost living novelist. His novels have earned many literary awards and prizes, and have all been bestsellers in Japan. They include THE WOMAN IN THE DUNES, THE ARK SAKURA, THE FACE OF ANOTHER, THE BOX MAN, and THE RUINED MAP.

Reviews

"A fascinating book.... The world of Kobo Abe is one in which intellectual concepts have the emotional impact and motivating power of psychotic compulsions."-"Newsweek" "A major novel... Since The Woman in the Dunes, Kobo Abe's stock as a novelist has been very high. The Face of Another raises it still more."-"The Christian Science Monitor ""Probes the edges of a waking nightmare....The central, shaping metaphor of face and facelessness is brilliant, and Abe's relentless pursuit of its every implication is powerful."-"The Saturday Review"