Dance To The Piper

Paperback / softback

Main Details

Title Dance To The Piper
Authors and Contributors      By (author) Agnes De Mille
By (author) Joan Acocella
Physical Properties
Format:Paperback / softback
Pages:360
Dimensions(mm): Height 202,Width 128
Category/GenreDance
ISBN/Barcode 9781590179086
ClassificationsDewey:792.8092
Audience
General
Edition Main

Publishing Details

Publisher The New York Review of Books, Inc
Imprint NYRB Classics
Publication Date 24 November 2015
Publication Country United States

Description

Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova's beauty, in that moment she dedicated herself to dance. Her memoir records with light-hearted humor and wisdom not only the difficulties she faced - the resistance of her parents, the sacrifices of her training - but also the frontier atmosphere of early Hollywood and New York and London during the Depression. "This is the story of an American dancer," writes Agnes de Mille, "a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts."

Author Biography

Agnes De Mille (1905-1993) was a choreographer, dancer, and writer. She created the ballet Rodeo and choreographed several well-known productions, including Oklahoma!, Brigadoon, Carousel, One Touch of Venus, and Fall River Legend. Joan Acocella is a staff writer for The New Yorker, and has been the magazine's dance critic since 1998. She is the author of several books, including Willa Cather and the Politics of Criticism, Creating Hysteria: Women and Multiple Personality Disorder, and Mark Morris, a biographical and critical study of the choreographer. Acocella is the co-editor of Andre Levinson on Dance: Writings from Paris in the Twenties and the editor of The Diary of Vaslav Nijinsky. Her most recent book is a collection of essays, Twenty-eight Artists and Two Saints.

Reviews

"De Mille was a writer like her father and uncle and grandfather, and not only a writer of bodies in space. She wrote prose, too, and gorgeously, with tremendous and purposive contradiction, about her life as a dancer and choreographer. To my mind, Dance to the Piper is as good a book about dance as any book about cinema written by a director." -Jonathon Sturgeon, Flavorwire "[A] finely written memoir, Dance to the Piper...was originally published in 1951. It's a dry and self-deprecating bildungsroman that was, by her account, scratched out on napkins and envelopes while she was 'doing a barre' or tending to an infant." -Harper's "Perhaps the best dancer ever to write and the best writer ever to dance." -Janice Berman, Newsday "Nobody can read this history of courage and belief in an ideal without understanding both dancing and human nature a little better. Indeed, I believe nobody can read this book without following it up with a salutation, 'Bravo, Agnes de Mille!' " -Carl van Vechten "Dance to the Piper is rich in the vitality, honesty and humour which are de Mille's professional characteristics; it gives excellently well-balanced judgements of the great dancers whom she has seen and worked with; and it also paints lively portraits of the courageous author herself." -Lillian Browse, The Spectator "Enhanced with traditional ballet as well as the modern school, she was associated with both, but she made her success in her own style of American modern. She writes with verve about all three schools, describes perspectively the inseparableness of dancer and dancing, the agonies of work and exhaustion, the personality of the true ballerina who must be cut off from the norm of social and sexual life." --Kirkus Reviews "One of the finest and most eloquent writers on dance the world has known" --Clive Barnes, Dance Magazine "This memoir of her early life is chock full of wit, which comes through strongly in her observations of life on tour with the Ballet Russe de Monte Carlo, and her cutting character descriptions (she includes full chapters on greats such as Martha Graham and Anna Pavlova). At times snarky and sensitive, by the end of Dance to the Piper de Mille seems like someone you'd want in your corner-the kind of friend who'd crack you up backstage just before your next entrance." -Chave Pearl Lansky, Dance Spirit