Wiebke Siem (Bilingual edition): The Maximal Minimum

Description

Wiebke Siem (1954 Kiel, DE - Berlin, DE) became known in the 1990s for extensive installations in which she alienated everyday objects, such as pieces of clothing, shoes, bags, or toys, or transformed them into oversized objects. Wiebke Siems uses pieces of furniture, objects, and materials with domestic connotations and whimsical, often puppet-like figures to create psychologically charged installations that are as oppressive as they are humorous and that raise questions about societal role models. Siem's art repeatedly employs a formal language and a mode of presentation that refer to ethnological objects and collections. This enables her to comment on Modernism's problematic appropriation strategies toward non-European art. In addition to borrowing motifs from art and cultural history, Siem critically engages the mechanisms of the male-dominated art business - a central theme in her oeuvre.

The Kunstmuseum Bonn holds one of the most important collections of German art in the country, with a focus on the Rhenish Expressionists and German art after 1945, and a special emphasis on graphic art, photography, videography, and multimedia art. The Museum der Moderne Salzburg is renowned for its exhibitions of twentieth- and twenty-first-century art. The Kunstmuseum Den Haag is one of Europe's biggest art museums, with 160,000 works of art. It has a leading collection of modern and contemporary art, fashion, and decorative arts.