Unretouched Women: Eve Arnold, Abigail Heyman, Susan Meiselas

Description

In the mid-1970s in the United States as feminism gained huge momentum, three American photographers Eve Arnold, Abigail Heyman and Susan Meiselas published books of a new kind. Combining testimonies and images, they offer very original documentaries of women at work, their daily routines and their private lives. The trio brought their own style and experimented with the book format while showing women in a new light through photography. Their work sidestepped cliches to create alternative representations. This catalogue reveals their unusual approach to their works. The first, Growing Up Female by Abigail Heyman, published in 1974, is a kind of feminist personal diary. The photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, The Unretouched Woman, published by Eve Arnold in 1976, shows unknown women and celebrities in unexpected moments of their daily lives. The photos were deliberately not retouched or staged and, through them, the photographer offers a heteroclite and nuanced vision of women far from the glamour of glossy magazines. The third, Carnival Strippers, published in the same year by Susan Meiselas, is the fruit of three years of investigation into fairground striptease sideshows in the north-east of the United States. Through the performers' long testimonies, the book gives a voice to its silent subjects, depicting their work, their dreams and their ambitions. The images provide an original perspective of female bodies, revealing their invisible make-up artistry and the staging involved behind their public appearances. In doing so it reveals a surprising, previously unseen glimpse into their sometimes prosaic, sometimes harsh private lives. It also reveals the social conventions and norms defining the status of women in society, within couples or within the domestic space to reveal working women, striving for independence and freedom.

Clara Bouveresse is a lecturer at Evry-Val d'Essonne University specializing in photography. She has published a history of the Magnum agency and co-organized the 'Magnum Manifesto' exhibition, presented at the New York International Center of Photography.

Unretouched Women, a companion book to the show, is smartly broken up into two parts: "Women Behind the Lens," which features contact sheets, maquettes, and other production documentation, and "Women Before the Lens," which looks at connections in the images covering makeup and presentation intimacy and the body, and women at work. "Behind" and "before" These photographers were always bearing witness.--Lauren O'Neill-Butler "Bookforum"