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Elizabeth Macarthur's Letters

Hardback

Main Details

Title Elizabeth Macarthur's Letters
Authors and Contributors      By (author) Kate Grenville
Physical Properties
Format:Hardback
Pages:240
Dimensions(mm): Height 234,Width 153
ISBN/Barcode 9781922458582
Audience
General

Publishing Details

Publisher Text Publishing
Imprint The Text Publishing Company
Publication Date 29 March 2022
Publication Country Australia

Description

These letters were the starting point for Kate Grenville's bestselling novel A Room Made of Leaves. They inspired the portrait of her imagined Elizabeth Macarthur: shrewd, subtle, passionate. And they offer a glimpse into the complex inner life of one of our most powerful foremothers. Yet, until now, a general reader could only access a handful of them. This book offers an edited selection, with commentary from Grenville, of the many letters Elizabeth Macarthur wrote 'home' from colonial Sydney over her long life-letters in which we can hear the voice of a remarkable woman. Circumstances confronted her with huge challenges, but also gave her opportunities unknown to most women of the time. It was a life of tumult, of griefs and joys-all faced with spirit, and recorded in this lively and engaging correspondence.

Author Biography

Kate Grenville is one of Australia's most celebrated writers. Her international bestseller The Secret River was awarded local and overseas prizes, has been adapted for the stage and as an acclaimed television miniseries, and is now a much-loved classic. Grenville's other novels include A Room Made of Leaves, Sarah Thornhill, The Lieutenant, Dark Places and the Orange Prize winner The Idea of Perfection. Her non-fiction books include One Life: My Mother's Story and The Case Against Fragrance. She has also written three books about the writing process. In 2017 Grenville was awarded the Australia Council Award for Lifetime Achievement in Literature.

Reviews

'Excellent...So beautifully observed and written...An accomplished novel with all the experience that a writer like Kate Grenville brings to her work...Really a superb piece of work.' * Leigh Sales on A Room Made of Leaves * 'Kate Grenville's 'A Room Made of Leaves' - an almost flawless novel about our early colonial history told through the fictional eyes of Elizabeth MacArthur - it's deep in research and beautifully realised.' * Heather Rose on A Room Made of Leaves * 'Kate Grenville is a literary alchemist, turning the leaden shadow of the historical Elizabeth Macarthur into a luminescent, golden woman for our times. Intelligent, compassionate, strategic and dead sexy, Grenville's Macarthur is an unforgettable character who makes us question everything we thought we knew about our colonial past. A polished gem of a novel by a writer who is as brave as she is insightful. I simply loved it.' * Clare Wright on A Room Made of Leaves * 'Grenville's editorial asides allow the reader to glimpse something of the possible reality that lies beneath, and offer a window into the complexity of Grenville's relationship with this compelling, difficult and sometimes "unattractive" muse.' * Kirsten Tranter, Guardian * 'More than 250 years after she was born, Elizabeth finally speaks in her own voice, no longer ventriloquized through a novelist's imagination...Grenville provides a short introduction to each letter, and the vivid energy of the volume derives from the fascinating dialogue between these two voices: the colonial wife, writing to family and friends alike in achingly constrained prose; and the contemporary novelist who is by turns obsessed, compelled, and discomforted by her enigmatic subject...[A] compelling perspective.' * Guardian * '[Elizabeth Macarthur's Letters] gives insight into Grenville's writing process and narrative decisions...In A Room Made of Leaves, Grenville took Elizabeth's letters as starting inspiration. She could imagine the woman Elizabeth might have been and who Grenville wanted her to be. In doing so, she could bring Elizabeth into line with contemporary cultural values. But in the Letters, Grenville must instead rely on her own accompanying voice, which is witheringly clear.' * Conversation * 'A life of tumult, of griefs and joys-all faced with spirit, and recorded in this engaging correspondence.' * Australian * 'An intriguing compendium.' * Australian Women's Weekly *