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The Hand that Rocked the Cradle: The Art of Birth and Infancy

Hardback

Main Details

Title The Hand that Rocked the Cradle: The Art of Birth and Infancy
Authors and Contributors      By (author) Sue Laurence
Physical Properties
Format:Hardback
Pages:192
Dimensions(mm): Height 234,Width 156
Category/GenreArt History
Art treatments and subjects
ISBN/Barcode 9781911604556
Audience
General
Illustrations 50 colour and 65 black & white images

Publishing Details

Publisher Unicorn Publishing Group
Imprint Unicorn Publishing Group
Publication Date 15 October 2018
Publication Country United Kingdom

Description

This book offers a fresh perspective on the history of birth and infancy by showing a rich array of images and objects ranging from paintings, prints, sculpture, metalwork, jewellery, textiles, ceramics, furniture and woodwork from both the fine and decorative arts, and medical and social history collections. Western European art has a strong tradition in representing birth and infancy, and many objects relating to this subject have survived, in collections such as the Wellcome in London and other museums and galleries across the world. The long chronological scope (1300-1900) provides insight to the enduring nature of many traditions and heirlooms relating to childhood and infancy. Moreover, by tracing the subject back to the medieval period it challenges the notion that so many of these practices were of more recent origin. The book is divided into an introduction followed by seven chapters with integrated fully captioned illustrations. The main subjects covered are: Beliefs and Customs; Childbirth; Lying-in, Rites of passage, ceremony and rituals; Milestones; The cult of breastfeeding; Accidents, abuse, fatalities and abandonment.

Author Biography

Sue Laurence was formerly Head of Interpretation at the National Archives; before that she was a curator at the Florence Nightingale Museum and spent ten years first as Deputy Head and then as Head of the V&A Museum of Childhood, where she created many innovative exhibitions as well as securing significant acquisitions. Sue has written for a number of journals, lectured on a broad range of curatorial subjects and made media appearances.

Reviews

"In addition to sculptures, paintings, and prints, Laurence examines such oddities of material culture as lockets containing the caul (the fetal membrane sometimes covering the head at birth), curtained birthing chairs, and an intrauterine syringe for emergency baptisms of the not-yet-born. This fascinating glimpse into the human reproductive past both delights and disturbs. Laurence's accessible text informs and entertains and is richly accompanied by 122 illustrations, many in color. . . . Recommended."-- "CHOICE" "Parts of this book are not for the faint-hearted. . . . Sue Lawrence thematically describes and amply illustrates the salient aspects - the womb, conception and pregnancy; birth and lying-in; rites de passage and milestones of growth; breastfeeding . . . and the dark side of accidents, abuse, deaths and abandonments. A former curator of the Florence Nightingale Museum and head of the Victoria and Albert Museum of Childhood, Sue Laurence writes with authority. Those looking for drama without the gore should stick to the reality TV series Sam and Billie Faiers's Mummy Diaries or Ferne McCann's First Time Mum (also authoritative in their own right)."-- "The Art Newspaper" "Progressing from conception to birth, lying-in, nurture and the milestones of child development, religious ritual and folklore and the pitfalls of neglect, abandonment and abuse, it reads, and looks, like the distillation of a lifetime's work. . . . [A] historical narrative studded with sobering and peculiar facts and anecdotes and a wealth of revealing illustrations. . . . This book itself is a cabinet of curiosities, startling, comic and tragic."-- "The Spectator" "This short and eminently digestible book takes the reader on a rip-roaring ride. . . . Images of fascinating - if at times, terrifying - objects relating to these rites are accompanied by illustrations of these pivotal life events, without which, quite simply, we wouldn't be here today."-- "Art Quarterly"