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The Dancing Plague
Paperback / softback
Main Details
Title |
The Dancing Plague
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Authors and Contributors |
Created by Gareth Brookes
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Physical Properties |
Format:Paperback / softback | Pages:192 | Dimensions(mm): Height 240,Width 172 |
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ISBN/Barcode |
9781910593981
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Classifications | Dewey:741.5 |
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Audience | |
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Publishing Details |
Publisher |
SelfMadeHero
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Imprint |
SelfMadeHero
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Publication Date |
29 April 2021 |
Publication Country |
United Kingdom
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Description
The Dancing Plague tells a true story, from 1518, when hundreds of inhabitants of Strasbourg were suddenly seized by the strange and unstoppable compulsion to dance, from the imagined perspective of Mary, one of its witnesses. Prone to mystic visions as a child, betrayed in the convent to which she flees, then abused by her loutish husband, Mary endures her life as an oppressed and ultimately scapegoated woman with courage, strength, and inspiring beauty. As difficult to interpret now (as a psychological reaction to social injustice?) as it was then (as a collective demonic possession?), the story of the "Dancing Plague" finds suitably extraordinary expression in the utterly unique mixed-media style Gareth Brookes has devised to tell it. The pioneering blend of his trademark "pyrographic" technique with sumptuously colourful (and literal) embroidery perfectly reflects, in a beautiful work of art, the enduring fragility of our human condition - from "choreomania" to coronavirus.
Author Biography
Gareth Brookes studied printmaking at the Royal College of Art. His graphic novels include A Thousand Coloured Castles (2017) and The Black Project, which was nominated in the Selection Officielle at the 2018 Festival de la Bande Dessinee in Angouleme. His work has appeared in ArtReview, been published by Kus, and was included in the "Comics Unmasked" exhibition at the British Library in 2014.
ReviewsThe most visually stunning quarantine comic I've seen is THE DANCING PLAGUE by the British artist Gareth Brookes . . . With fire and needle, Brookes crafts a book the likes of which we've never seen before.-- "The New York Times"
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