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The Pre-Raphaelites and Italy

Hardback

Main Details

Title The Pre-Raphaelites and Italy
Authors and Contributors      By (author) Colin Harrison
By (author) Christopher Newall
Physical Properties
Format:Hardback
Pages:200
Dimensions(mm): Height 280,Width 220
Category/GenrePre-Raphaelite art
Painting and paintings
ISBN/Barcode 9781848220751
ClassificationsDewey:759.2
Audience
Professional & Vocational
Edition New edition
Illustrations Includes 194 colour illustrations

Publishing Details

Publisher Lund Humphries Publishers Ltd
Imprint Lund Humphries Publishers Ltd
Publication Date 28 October 2010
Publication Country United Kingdom

Description

This important book, which accompanies a major exhibition at the Ashmolean Museum, Oxford, is the first to explore the fascination of the Pre-Raphaelite painters with Italy: its landscape, art and culture. Covering the Pre-Raphaelite Brotherhood in the broadest sense, from its foundation in 1848 to the second generation (including Burne-Jones and Crane), it also includes the works of a group of English artists known as the Etruscans, who were followers of the Italian painter Giovanni Costa. Ruskin, whose awareness of Italy was both imaginative and visceral and who made numerous trips to Italy throughout his life, emerges as a key influence on the relationship of the Pre-Raphaelite painters to Italian culture. In addition to his writings, including the monumental Stones of Venice, Ruskin's own drawings provide a personal record of his engagement with the places he visited. Featuring full-colour illustrations of the 138 paintings in the exhibition, including works in private collections not previously reproduced, The Pre-Raphaelites and Italy examines the relationship of the Pre-Raphaelite brothers to Italy and to each other in a fresh and original way and will be essential reading for all students of 19th-century art and culture.

Author Biography

Colin Harrison is Curator of British Paintings and Drawings and Curator of the Pissarro Family Archive at the Ashmolean Museum, Oxford. His previous publications include Turner's Oxford (2000), Samuel Palmer 1805-1881: Vision and Landscape (2005, joint author) and the Complete Illustrated Catalogue of Paintings in the Ashmolean Museum (2004, joint editor and author). Christopher Newall is a writer and art historian specialising in 19th-century British art who has curated numerous exhibitions of Pre-Raphaelite painting worldwide.

Reviews

'Essential reading.' The Daily Telegraph '...fine book...Solid documentation is evident throughout...excellent color illustrations featured...Overall, this is a good, focused discussion of an important aspect of the pre-Raphaelite movement...Recommended.' Choice