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The Whole Picture: The colonial story of the art in our museums & why we need to talk about it

Hardback

Main Details

Title The Whole Picture: The colonial story of the art in our museums & why we need to talk about it
Authors and Contributors      By (author) Alice Procter
Physical Properties
Format:Hardback
Pages:304
Dimensions(mm): Height 240,Width 160
Category/GenreForgery and theft of artwork
Art History
Ancient and classical art BCE to c 500 CE
Colonialism and imperialism
National liberation, independence and post-colonialism
ISBN/Barcode 9781788401555
ClassificationsDewey:306.470941
Audience
General

Publishing Details

Publisher Octopus Publishing Group
Imprint Cassell
Publication Date 19 March 2020
Publication Country United Kingdom

Description

Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. THE WHOLE PICTURE is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

Author Biography

Alice Procter is an historian of material culture and the creator of Uncomfortable Art Tours. She curates exhibitions, organizes events, makes podcasts and writes things under the umbrella of The Exhibitionist. Procter studied at University College London, and her academic work concentrates on the intersections of postcolonial art practice and colonial material culture, settler storytelling, the concept of whiteness in the 18th and 19th centuries, the curation of historical trauma, and myths of national identity. She has appeared on BBC Radio 4's Front Row, and her work has been featured in the New York Times, the Guardian, the New Statesman, Aljazeera.com and The Times. She is Australian but grew up in Hong Kong and London. theexhibitionist.org @aaprocter