The Afterlife of Shakespeare's Sonnets

Description

Why did no one read Sonnet 18 for over one hundred years? What traumatic memories did Sonnet 111 conjure up for Charles Dickens? Which Sonnet did Wilfred Owen find particularly offensive on the WW1 battlefront? What kind of love does Sonnet 116 celebrate and why? Filling a surprising gap in Shakespeare studies, this book offers a challenging new reception history of the Sonnets and explores their belated entry into the Shakespeare canon. Jane Kingsley-Smith reveals the fascinating cultural history of individual Sonnets, identifying those which were particularly influential and exploring why they rose to prominence. This is a highly original study which argues that we should redirect our attention away from the story that the Sonnets tell as a sequence, to the fascinating afterlife of individual Shakespeare Sonnets.

Jane Kingsley-Smith is a Reader at the Roehampton University, London. She is author of Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (Cambridge, 2010). Dr Kingsley-Smith has a Ph.D. from the Shakespeare Institute, Stratford-upon-Avon and is a regular lecturer at Shakespeare's Globe.

'Kingsley-Smith's fascinating and exhaustive exploration of literary taste invites serious students of Shakespeare into the world of audience participation and interpretation.' M. H. Kealy, Choice 'Excellent.' Katherine Craik, Times Literary Supplement 'The Afterlife of Shakespeare's Sonnets is a valuable book ... It significantly deepens and widens our understanding of the sonnets' complex history of reception along the chronological lines indicated above.' Jonathan F. S. Post, Modern Philology 'A particular forte of Kingsley-Smith's book is her ability to read the poems as they might have struck their original readers coming upon them for the first time, without any preconceived ideas about Dark Ladies and Fair Friends.' Paul JCM Franssen, Cahiers Elisabethains