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Directing Scenes and Senses: The Thinking of Regie
Hardback
Main Details
Title |
Directing Scenes and Senses: The Thinking of Regie
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Authors and Contributors |
By (author) Peter Boenisch
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Series | Theatre: Theory - Practice - Performance |
Physical Properties |
Format:Hardback | Pages:224 | Dimensions(mm): Height 234,Width 156 |
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Category/Genre | Drama |
ISBN/Barcode |
9780719097195
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Classifications | Dewey:792.0233 |
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Audience | |
Illustrations |
Illustrations, black & white
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Publishing Details |
Publisher |
Manchester University Press
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Imprint |
Manchester University Press
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Publication Date |
1 August 2015 |
Publication Country |
United Kingdom
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Description
As European theatre directors become a familiar presence on international stages and a new generation of theatre makers absorbs their impulses, this study develops fresh perspectives on Regie, the Continental European tradition of staging playtexts. Leaving behind unhelpful cliches that pit, above all, the director against the playwright, Peter M. Boenisch stages playful encounters between Continental theatre and Continental philosophy. The contemporary Regie work of Thomas Ostermeier, Frank Castorf, Ivo van Hove, Guy Cassiers, tg STAN, and others, here meets the works of Friedrich Schiller and Leopold Jessner, Hegelian speculative dialectics, and the critical philosophy of Jacques Ranciere and Slavoj Zizek in order to explore the thinking of Regie - how to think Regie, and how Regie thinks. -- .
Author Biography
Peter M. Boenisch is Co-Director of the European Theatre Research Network (ETRN) and a Fellow of the International Research Centre 'Interweaving Performance Cultures' -- .
Reviews'We all have difficulty understanding the differences between directing, staging, devising, performing, or between performance and mise en scene. Peter Boenisch's new book on Regie discusses how contemporary theatre-makers engage with plays, materials or events that they want to 'put on stage'. As theatre-goers are themselves more and more expected to 'stage' their own impressions and insights, this is a most timely and necessary book for anyone interested in contemporary European theatre.' Patrice Pavis, Professor of Theatre Studies at the University of Kent -- .
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