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De Stijl and Dutch Modernism

Paperback / softback

Main Details

Title De Stijl and Dutch Modernism
Authors and Contributors      By (author) Michael White
SeriesCritical Perspectives in Art History
Physical Properties
Format:Paperback / softback
Pages:196
Dimensions(mm): Height 240,Width 170
Category/GenreArt and design styles - Modernist design and Bauhaus
Theory of architecture
ISBN/Barcode 9780719061622
ClassificationsDewey:709.492
Audience
Tertiary Education (US: College)
Professional & Vocational
Illustrations Illustrations, black & white|Illustrations, colour

Publishing Details

Publisher Manchester University Press
Imprint Manchester University Press
Publication Date 10 July 2003
Publication Country United Kingdom

Description

The name De Stijl, the title of a magazine founded in the Netherlands in 1917, is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld. De Stijl achieved international acclaim by the end of the 1920s and its paintings, buildings and furniture made fundamental contributions to the modern movement. This study emphasizes the local context of De Stijl and explores its relationship to the distinctive character of Dutch modernism. It examines how the debates concerning abstraction in painting and spatiality in architecture were intimately connected to contemporary developments in the fields of urban planning, advertising, interior design and exhibition design. The book describes the interaction between the world of mass culture and the fine arts. "De Stijl and Dutch Modernism" aims to be an important addition to research on the interwar avant-garde and be of use to students and specialists in the field.

Author Biography

Michael White is Lecturer in History of Art at the University of York -- .

Reviews

"This stimulating and original book represents a significant contribution to the scholarship on De Stijl. In elucidating theoretical complexities of the different positions adopted by the various artists and architects, Dr. White overturns many dearly and long held assumptions about the movement and throws new light on its history."--Martin Hammer, University of Edinburgh