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The Cambridge Companion to Shakespeare on Film

Hardback

Main Details

Title The Cambridge Companion to Shakespeare on Film
Authors and Contributors      Edited by Russell Jackson
SeriesCambridge Companions to Literature
Physical Properties
Format:Hardback
Pages:368
Dimensions(mm): Height 229,Width 152
Category/GenreFilm theory and criticism
ISBN/Barcode 9780521866002
ClassificationsDewey:822.33
Audience
Tertiary Education (US: College)
Professional & Vocational
Edition 2nd Revised edition

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 29 March 2007
Publication Country United Kingdom

Description

Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This Companion is a lively collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Chapters have been revised and updated from the first edition to include the most recent films and scholarship. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.

Author Biography

Russell Jackson is Allardyce Nicoll Professor of Drama, Department of Drama and Theatre Arts at the University of Birmingham.

Reviews

'A fascinating analysis of a wondrous subject, this book is an essential contribution to the library of all serious film buffs and Shakespearean anoraks alike. From the Italianisation of Shakespeare via Franco Zeffirelli, right through to the rigorous historicising and politicisation of Shakespeare's media configurations (of which there are indeed many), these seventeen essays are simply crucial.' David Marx