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The Letters of D. H. Lawrence

Paperback / softback

Main Details

Title The Letters of D. H. Lawrence
Authors and Contributors      By (author) D. H. Lawrence
Edited by James T. Boulton
SeriesThe Letters of D. H. Lawrence 8 Volume Set in 9 Paperback Pieces
Series part Volume No. Volume 1
Physical Properties
Format:Paperback / softback
Pages:636
Dimensions(mm): Height 217,Width 140
Category/GenreLiterary studies - from c 1900 -
Literary studies - fiction, novelists and prose writers
ISBN/Barcode 9780521006910
ClassificationsDewey:823.912
Audience
Professional & Vocational
Illustrations 7 Maps; 35 Halftones, unspecified; 1 Line drawings, unspecified

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 5 September 2002
Publication Country United Kingdom

Description

Volume I of the Letters, edited by James T. Boulton, gives the first 580 letters in the series, covering the period September 1901 to May 1913. This is the time of Lawrence's youth in Eastwood, his first year out of England - in Italy with Frieda - to the publication of Sons and Lovers. There are letters to his early loves, Jessie Chambers, Louie Burrows and Helen Corke. He writes The White Peacock, The Trespasser, Sons and Lovers, the early stories and poems. He is welcomed into the literary world by editors such as Ford and Garnett; he meets Pound and other writers; he reads widely. His mother dies; he grows away from the younger women; he meets Frieda and elopes with her. Professor Boulton's discreet annotation conceals an enormous labour of patient detection. There are over thirty photographs of his friends and correspondents and a newly discovered portrait miniature of Lawrence.

Reviews

'The splendid Cambridge Edition of the Letters of D. H. Lawrence is most welcome. It has all the virtues of a good modern scholarly edition of a writer's letters. Though one has already been familiar with many aspects of Lawrence's personality in his other writings, this comprehensive edition of his letters projects a cohesive self-portriat of the living artist.' English Studies: A Journal of English Language and Literature