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The Blue Flower (4th Estate Matchbook Classics)

Paperback / softback

Main Details

Title The Blue Flower (4th Estate Matchbook Classics)
Authors and Contributors      By (author) Penelope Fitzgerald
Series4th Estate Matchbook Classics
Physical Properties
Format:Paperback / softback
Pages:320
Dimensions(mm): Height 198,Width 129
Category/GenreModern and contemporary fiction (post c 1945)
Historical romance
ISBN/Barcode 9780008329686
ClassificationsDewey:823.914
Audience
General

Publishing Details

Publisher HarperCollins Publishers
Imprint Fourth Estate Ltd
Publication Date 4 April 2019
Publication Country United Kingdom

Description

Penelope Fitzgerald's final masterpiece. Set in Germany at the very end of the eighteenth century, The Blue Flower is the story of the brilliant Fritz von Hardenberg, a graduate of the Universities of Jena, Leipzig and Wittenberg, learned in Dialectics and Mathematics, who later became the great romantic poet and philosopher Novalis. The passionate and idealistic Fritz needs his father's permission to announce his engagement to his 'heart's heart', his 'true Philosophy', twelve-year-old Sophie von Kuhn. It is a betrothal which amuses, astounds and disturbs his family and friends. How can it be so? One of the most admired of all Penelope Fitzgerald's books, The Blue Flower was chosen as Book of the Year more than any other in 1995. Her final book, it confirmed her reputation as one of the finest novelists of the century.

Author Biography

Penelope Fitzgerald was one of the most elegant and distinctive voices in British fiction. Three of her novels, The Bookshop, The Beginning of Spring and The Gate of Angels have been shortlisted for the Booker Prize. She won the Prize in 1979 for Offshore. Her last novel, The Blue Flower, was the most admired novel of 1995, chosen no fewer than nineteen times in the press as the 'Book of the Year'. It won America's National Book Critics' Circle Award. She died in April 2000, at the age of eighty-three.

Reviews

'The Blue Flower is a model of what historical fiction can be at its best - when the radical otherness of other times is not merely acknowledged but made integral to the fictional experience. It's also Fitzgerald at her best - elegant, inventive, hilarious, unsparing. I adore this book.' Jonathan Franzen 'Reading a Penelope Fitzgerald novel is like being taken for a ride in a peculiar kind of car. Everything is of top quality - the engine, the coachwork and the interior all fill you with confidence. Then, after a mile or so, someone throws the steering-wheel out of the window.' Sebastian Faulks 'Wise and ironic, funny and humane, Fitzgerald is a wonderful, wonderful writer.' David Nicholls 'An enchanting novel about heart, body and mind. The writing is ellipitical and witty... so that what could be a sad little love story is constantly funny and always absorbing. This novel is a jewel.' Carmen Callil, Daily Telegraph 'Her sense of time and place is marvellously deft, done in a few words. She knows how they all walked, eased their old joints. She knows the damp smell of decay of the ancient schlosses. In a bare little book she reveals a country and an age as lost as Tolstoy's Russia and which we seem somehow always to have known.' Jane Gardam, Spectator 'Detail, expertly dabbed in, provides a substantial background for the story of a poet which, it is subtly suggested, is also the story of a remarkable moment in the history of civilisation... It is hard to see how the hopes and defeats of Romanticism, or the relation between inspiration and common life, between genius and mere worthiness, could be more deftly rendered than they are in this remarkable novel.' Frank Kermode, LRB