The Fall of Gondolin

Description

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a standalone work, the epic tale of The Fall of Gondolin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Balrogs, Dragons and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwe, chief of the Valar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs. Into this world comes Tuor, cousin of Turin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Earendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Earendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Earendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Luthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was 'the first real story of this imaginary world' and, together with Beren and Luthien and The Children of Hurin, he regarded it as one of the three 'Great Tales' of the Elder Days.

J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings and The Silmarillion, plus other stories and essays. His books have been translated into over 60 languages and have sold many millions of copies worldwide. Christopher Tolkien, born on 21 November 1924, is the third son of J.R.R. Tolkien. During the Second World War he served in the Royal Air Force and the Fleet Air Arm as a pilot. At the end of the war he returned to Oxford University and became a Fellow and Tutor in English of New College in 1964, lecturing in the University on early English and northern literature. Appointed by J.R.R. Tolkien to be his literary executor, he has devoted himself since his father's death in 1973 to the editing and publication of unpublished writings, notably The Silmarillion and Beowulf, and the collections entitled Unfinished Tales and The History of Middle-earth. Since 1975 he has lived in France with his wife Baillie. Alan Lee is the illustrator of the highly-successful centenary edition of The Lord of the Rings and diamond edition of The Hobbit. He studied graphic design and the depiction of Celtic and Norse myths and has illustrated a wide range of books, including Faeries, Merlin Dreams and Castles, and was conceptual designer for Terry Jones' film Erik the Viking. He was awarded the Kate Greenaway Medal for his illustrated edition of Black Ships Before Troy.

'Never did [Tolkien] write a more sustained account of battle. With dragons and fiery balrogs galore, the attack on Gondolin makes Peter Jackson's souped-up cinema battles look like tabletop games.' The Times 'The text is rife with references to characters and creatures that come to play a role in The Lord of the Rings... one passage in particular seems to set up one of the most famous scenes from the LOTR trilogy.' Time 'It's a load-bearing pillar in the grander narrative that eventually came to encompass better-known works. Tolkien explicitly expressed his wish later in life that the three Great Tales of Middle-earth's early days - The Children of Hurin, Beren and Luthien, and The Fall of Gondolin - along with The Lord of the Rings and other writings, should be considered as "one long Saga of the Jewels and the Rings".' Entertainment Weekly